If you thought MobLand was finally finding its footing after a confusing but stylish premiere… congratulations. You were almost right.

Episode 7, titled “The Crossroads” , tries to pull the series out of its nosedive like a guy trying to fix a flat tire with duct tape and sheer willpower. It’s got some energy — chaotic, disjointed, but kinda compelling. Unfortunately, it also introduces about a million new characters , most of whom play pivotal roles in the finale — which is both frustrating and slightly impressive.

Let’s unpack this crime cocktail.

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📺 “The Crossroads” — A Bit Better, But Still Lost in Translation

After six episodes that felt like flipping through someone else’s family photo album (where everyone looks angry and half of them are dead), MobLand finally starts showing signs of life. There’s action, tension, and even some emotional beats that land without bouncing off the screen like a poorly thrown pizza crust.

But here’s the problem: every time you start caring about one storyline, MobLand yanks you away like a bad Tinder date who just remembered he left the stove on.

This episode is basically a Russian nesting doll of subplots:

• Kevin remembers his prison trauma
• Bella and Antoine plot something shady
• Jan meets her “friend” Alice for drinks
• Eddie and Gina flirt like they’re auditioning for Euphoria
• Harry kills people with excessive enthusiasm
• Seraphina and Brendan get tied up and wait for chainsaw justice
• Maeve and Conrad argue about trust like an old married couple

And somehow, all of this happens in under 45 minutes.

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🤯 Why Does Every Scene Last 30 Seconds?

MobLand clearly has ADHD storytelling : it jumps from thread to thread so fast that you barely remember who’s talking before the scene cuts.

One second we’re in a pub in the Cotswolds, the next we’re watching Harry shoot Moroccan gangsters while eating crisps like he’s at Wimbledon. Then suddenly we’re back to Seraphina being held hostage by people who forgot to tie her shoelaces. Just when things get interesting — cut! Back to Eddie and Gina making out like their lives depend on it.

It’s exhausting.

And honestly? It’s hard to care about any relationship when each interaction lasts less than your average TikTok video.

Just when you start wondering if Eddie and Gina are going somewhere… cut to Jan pretending she doesn’t work for MI6.

When you think Alice might be a double agent… cut to Harry shooting more people.

When you finally care what happens to Seraphina… cut to a random Mexican cartel guy named Jamie Lopez, who’s apparently been important this whole time?

Wait… who?

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🪓 Chainsaws, Cartels, and Confusion

The final 10 minutes finally slow things down enough to breathe — and it feels like the first real moment of clarity since the pilot.

Seraphina and Brendan are tied up, waiting for Richie Stevenson to show up with a camera crew and a motivational speech. Instead, Jamie Lopez appears — a character introduced just now, who turns out to be the son of a guy Conrad insulted 30 years ago. Because nothing says “thrilling mob drama” like ancient beef between people we’ve never met.

Then comes the big rescue.

Enter Kat , played by Janet McTeer — mysterious, rich, and owns a plane that probably shoots lasers (we can dream). She calls Jamie, tells him to stop the chainsaw, and saves Seraphina with a phone call that sounds like it came straight from Mission: Impossible HQ.

So, to recap:

• Richie wants revenge
• Jamie works for the Lopez cartel
• Kat controls Jamie
• Harry owes Kat a favor
• Seraphina lives
• Brendan dies like a man who forgot how to run

And none of it makes much sense.

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🧠 Final Thoughts: Great Energy, Bad Structure

Here’s the good news: MobLand is finally starting to feel like the gritty, over-the-top crime saga it promised to be. The violence is brutal, the performances are solid, and Tom Hardy continues to do his best impression of a man who only communicates through bullet points and bullets.

The bad news? The show still hasn’t figured out how to tell a coherent story. It’s like watching a puzzle being built by someone who keeps adding pieces from different boxes.

And don’t even get me started on introducing major players in the penultimate episode like it’s no big deal.

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🔍 Key Takeaways from Episode 7:

• Too many characters, too little time — MobLand’s cast list reads like a UN summit gone wrong.
• Pacing issues — Scenes come and go faster than a getaway car in East London.
• A last-minute save that raises more questions than answers — Who is Kat? What does she want? And why didn’t she just fly her plane in and end this mess?

Still, there’s hope. At least now we know the show can deliver tension, style, and one of the most ridiculous chainsaw moments in recent TV history.

Now let’s see if it can stick the landing.